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  • Bel Canto RediscoveredExpand
    • Project Description
    • Methodology
  • ModulesExpand
    • Recording Emulation
    • Manuel García IIExpand
      • Emotional States Taxonomy
      • Annotated arias from García’s Art of Singing II
    • Domenico CorriExpand
      • Domenico Corri Annotated Songs and Arias
    • Johann Anton André
    • Schubert
    • Isaac Nathan
    • Richard Wagner
    • Chopin
    • Wax Recording
    • Tremolo and Vibrato
  • Creative OutputExpand
    • Early Music EnsembleExpand
      • Re-engaging the Art of Storytelling in Music
      • Hearing the Music of Early NSW
      • Mood, Emotion, and Expression
      • Nineteenth-Century Stirrings
      • Love, Loss, Madness, and Death
      • From Handel to Mozart: Performing Music in the Realm of Domenico Corri
    • St Brigid’s Church 190th Anniversary
    • Dichterliebe Reimagined
    • Instrumental Bel Canto – The Mozart K. 488 Project
    • Schubert’s Schwanengesang
  • EventsExpand
    • 2024 Vienna Symposium
    • 2025 Artistic Research Summit
    • 2026 Sydney Symposium
    • 2026 Cagliari
    • 2026 Julliard
    • Waxing Lyrical in Surrey
  • About the TeamExpand
    • Reviews and Testimonials
    • Resources
Bel Canto Rediscovered 1700-1800

Sarah Collins

Sarah Collins

Research Assistant, Sydney Conservatorium of Music

Sarah Collins is a classical singer from regional NSW (Australia), currently in her fourth year of studying a Bachelor of Music performance (honours) in classical voice at the Sydney Conservatorium of Music under the tutelage of Dr Narelle Yeo. Sarah has been the recipient of numerous scholarships and awards throughout her university studies including; the Peter Davidson Music Scholarship, the Myron Kantor Bequest Scholarship, The Women’s College Music Scholarship, and the Margot Anthony (Budd) Music Grant. In 2024, Sarah was awarded 2nd place in the annual Sydney Eisteddfod for both French Art Song and English Art Song categories (21-26 years).

Sarah has performed in numerous vocal masterclasses including Paul Tabone and Simone Sault’s The Artist’s Lab (2023), The Erasmus Foundation’s Women Composers of German Lied led by Tanya Aspelmeier and Lisa Herger (2025), and Opera Caledonia in Edinburgh (2025). Sarah made her international operatic debut in 2025 as ‘Amore’ in L’incoronazione di Poppea with the Berlin Opera Academy.

  • Bel Canto Rediscovered
  • Modules
  • Creative Output
  • Events
  • About the Team

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  • Bel Canto Rediscovered
    • Project Description
    • Methodology
  • Modules
    • Recording Emulation
    • Manuel García II
      • Emotional States Taxonomy
      • Annotated arias from García’s Art of Singing II
    • Domenico Corri
      • Domenico Corri Annotated Songs and Arias
    • Johann Anton André
    • Schubert
    • Isaac Nathan
    • Richard Wagner
    • Chopin
    • Wax Recording
    • Tremolo and Vibrato
  • Creative Output
    • Early Music Ensemble
      • Re-engaging the Art of Storytelling in Music
      • Hearing the Music of Early NSW
      • Mood, Emotion, and Expression
      • Nineteenth-Century Stirrings
      • Love, Loss, Madness, and Death
      • From Handel to Mozart: Performing Music in the Realm of Domenico Corri
    • St Brigid’s Church 190th Anniversary
    • Dichterliebe Reimagined
    • Instrumental Bel Canto – The Mozart K. 488 Project
    • Schubert’s Schwanengesang
  • Events
    • 2024 Vienna Symposium
    • 2025 Artistic Research Summit
    • 2026 Sydney Symposium
    • 2026 Cagliari
    • 2026 Julliard
    • Waxing Lyrical in Surrey
  • About the Team
    • Reviews and Testimonials
    • Resources
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