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  • Bel Canto RediscoveredExpand
    • Project Description
    • Methodology
  • ModulesExpand
    • Recording Emulation
    • Manuel García IIExpand
      • Emotional States Taxonomy
      • Annotated arias from García’s Art of Singing II
    • Domenico CorriExpand
      • Domenico Corri Annotated Songs and Arias
    • Johann Anton André
    • Schubert
    • Isaac Nathan
    • Richard Wagner
    • Chopin
    • Wax Recording
    • Tremolo and Vibrato
  • Creative OutputExpand
    • Early Music EnsembleExpand
      • Re-engaging the Art of Storytelling in Music
      • Hearing the Music of Early NSW
      • Mood, Emotion, and Expression
      • Nineteenth-Century Stirrings
      • Love, Loss, Madness, and Death
      • From Handel to Mozart: Performing Music in the Realm of Domenico Corri
    • St Brigid’s Church 190th Anniversary
    • Dichterliebe Reimagined
    • Instrumental Bel Canto – The Mozart K. 488 Project
    • Schubert’s Schwanengesang
  • EventsExpand
    • 2024 Vienna Symposium
    • 2025 Artistic Research Summit
    • 2026 Sydney Symposium
    • 2026 Cagliari
    • 2026 Julliard
    • Waxing Lyrical in Surrey
  • About the TeamExpand
    • Reviews and Testimonials
    • Resources
Bel Canto Rediscovered 1700-1800

Claire Burrell-McDonald

Claire Burrell-McDonald

Higher Degree by Research Candidate, Griffith University

Claire Burrell-McDonald is a Sydney-based soprano, specialising in early music. She is a regular artist with the professional choirs of St James, King Street and St Mary’s Cathedral: she has also sung with Cantillation, Sydney Antiphony, Luminescence Chamber Singers, Adelaide Chamber Singers, the Song Company LAB and the Lunenburg Academy of Music Performance in Canada. She has performed widely as a soloist and ensemble member across Australia and internationally: she appears on recordings with the Choir of St James, King St, Cantillation, Sydney Chamber Choir and Gondwana Chorale. She teaches singing at Sydney Grammar School and Kincoppal-Rose Bay.

Claire is currently undertaking doctoral research into historical vocal technique and vocal performance practice through the Queensland Conservatorium, Griffith University, and as part of the research team on the ARC-funded Discovery Project “Shock of the old: Rediscovering the sounds of bel canto 1700–1900”. As part of her research, she has presented and performed across Australia, Europe and the United Kingdom. She holds postgraduate degrees in Opera and Music Performance from the Sydney Conservatorium of Music, and in English Literature from the University of Sydney.

  • Bel Canto Rediscovered
  • Modules
  • Creative Output
  • Events
  • About the Team

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  • Bel Canto Rediscovered
    • Project Description
    • Methodology
  • Modules
    • Recording Emulation
    • Manuel García II
      • Emotional States Taxonomy
      • Annotated arias from García’s Art of Singing II
    • Domenico Corri
      • Domenico Corri Annotated Songs and Arias
    • Johann Anton André
    • Schubert
    • Isaac Nathan
    • Richard Wagner
    • Chopin
    • Wax Recording
    • Tremolo and Vibrato
  • Creative Output
    • Early Music Ensemble
      • Re-engaging the Art of Storytelling in Music
      • Hearing the Music of Early NSW
      • Mood, Emotion, and Expression
      • Nineteenth-Century Stirrings
      • Love, Loss, Madness, and Death
      • From Handel to Mozart: Performing Music in the Realm of Domenico Corri
    • St Brigid’s Church 190th Anniversary
    • Dichterliebe Reimagined
    • Instrumental Bel Canto – The Mozart K. 488 Project
    • Schubert’s Schwanengesang
  • Events
    • 2024 Vienna Symposium
    • 2025 Artistic Research Summit
    • 2026 Sydney Symposium
    • 2026 Cagliari
    • 2026 Julliard
    • Waxing Lyrical in Surrey
  • About the Team
    • Reviews and Testimonials
    • Resources
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